Dr. Samuel Kelton Roberts, Jr., is Director of Columbia University’s Institute for Research in African American Studies (IRAAS), Associate Professor of History (School of Arts & Sciences) and Associate Professor of Sociomedical Sciences (Mailman School of Public Health). He writes, teaches, and lectures widely on African-American history, medical and public health history, urban history, issues of policing and criminal justice, and the history of social movements. His book, Infectious Fear: Politics, Disease, and the Health Effects of Segregation (UNC Press, 2009), demonstrates the historical and continuing links between legal and de facto segregation and poor health outcomes. In 2013-14, Dr. Roberts served as the Policy Director of Columbia University’s Justice Initiative, where he coordinated the efforts of several partners to bring attention to the issue of aging and the growing incarcerated elderly population. This work led to the publication of the widely-read landmark report, Aging in Prison Reducing Elder Incarceration and Promoting Public Safety (New York: Columbia University Center for Justice. November 2015).

Dr. Roberts currently is researching a book project on the history of drug addiction policy and politics from the 1950s to the present, a period which encompasses the various heroin epidemics between the 1950s and the 1980s, therapeutic communities, radical recovery movements, methadone maintenance treatment, and harm reduction approaches.

Dr. Roberts tweets from @SamuelKRoberts.

You can’t address Appalachia without addressing addiction, namely the opioid epidemic. At Queer Appalachia, we try to shed light on the prevalence of this problem in the region and seek to emphasize that nobody— regardless of addiction status— is disposable.

With the disheartening and exponentially increasing rate of opioid abuse in Appalachia, there is nobody in the region who doesn’t play a role. As if being queer in rural regions isn’t isolating and ostracizing enough, the addition of trying to recover only further exacerbates these experiences. The numbers of opioid abuse in Appalachia increase significantly when you looking at folks with queer identities.

 

Queer Appalachia responds to our community's needs by offering Harm Reduction trainings and supplies.

While the role of social media has been feverishly debated in fomenting, planning, and sustaining revolutions since twitter was first hailed—somewhat exaggeratedly—as a revolutionary technology in Moldova in 2009 and YouTube became a people's archive for election protests in Tehran during the summer of that same year, it seems incontestable that broadcast media (often singular, uni-directional, and hierarchical) are being supplanted by decentralized, multi-directional "public utterances" from social media. The result is a significantly more adaptable, amorphous, global, but also ephemeral public sphere. However, even with the best intentions, social media can amplify misinformation on a global scale, creating an echo chamber of falsehoods that are easily accepted as truths by virtue of their sheer repetition.  And more ominously, social media can be tracked and used to squelch the very voices that use it.  In this talk, Todd Presner will discuss a series of projects that analyze the role of social media in the Middle East, starting with the 2009 Tehran election protests and going up to the 2011 "Arab Spring," including twitter projects such as the "Voices of January 25th" (Egypt), "Voices of February 17th" (Libya), and HyperCities as examples. 

Todd Presner is Professor of Germanic Languages and Comparative Literature at the University of California Los Angeles.  He is the Chair of UCLA’s Digital Humanities Program and also the Sady and Ludwig Kahn Director of the UCLA Center for Jewish Studies. With Anne Burdick, Johanna Drucker, Peter Lunenfeld, and Jeffrey Schnapp, he is the co-author of Digital_Humanities (MIT Press, 2012). His most recent book is HyperCities: Thick Mapping in the Digital Humanities (Harvard University Press, 2014), with collaborators David Shepard and Yoh Kawano. Projects can be seen at this website: http://thebook.hypercities.com.

A reception will follow the program in the Alumni Gallery.